Stratego, Plugged

This week, I was at the local thrift store when I discovered an old friend: a functional copy of Electronic Stratego! (He was on sale for a buck.) In case you have forgotten how this lovely contraption looks, or if you've never met one, here's a brief sample: (Warning! 80's nostalgia ahead!)

Some of you may be asking, "What is that?!", to which I reply, "It's like Stratego! By Milton Bradley! A classic game of strategy and... um... 'go'? Look it up!"

So, now some of you are probably asking, "Right... so... how's it different than normal Stratego?" Well. Let me tell you how it's different from the vanilla edition.

To start off, the scale is a little different. It's got an 8x10 grid (instead of 10x10), and only 24 pieces (instead of the usual 40).

More importantly, the electronic aspect opens up a lot more functionality. There are three major variations in gameplay that result from having Electronic Stratego instead of "plain-ol'" Stratego:

One: Hidden bombs. The little compartments on either player's side of the board let players place bombs under their pieces, and they activate only when stepped on by enemy players. (Unless your board's malfunctioning, in which case your men might be fair game as well.) One wrong step, and KABLAAM!

Two: Piece identities remain secret. To engage in combat with an enemy piece, you merely push down on the attacking piece and then on the defending piece, and the computer informs you whether you won or not. And that's all it tells you. Did you kill a scout? A marshal? Who knows? It adds a lot of uncertainty to the game. (You don't have to play this way, but it is awesome; and to do this using a normal board, you'd need a third party just to compare pieces during attacks. Good luck finding anyone to volunteer for that.)

Three: Awesome sound effects. From the moment you turn it on, the thing emits a soundtrack worthy of an early Atari game. The interminable "drum roll"-esque sound (audible in the above snippet) accompanies your every move, and snippets of notable songs pepper the play. (The manual falls all over itself calling out each song; when attacking, you'll hear "a few bars of The William Tell Overture" instead of "heart-pumping attack music". Maybe it helped them corner the market of the culturally elite?)

Anyway, if you're in my General neck of the woods soon, Flag me down; I'll Scout out four AA batteries and we can Marshal our forces to engage in Major two-player electronic melee! (It'll be the Bomb!)

Playing Fair in the Free Markets

I recently bought ink for my fountain pen from a company called Noodler's Ink. This slogan of theirs made me stop and think:

Why is it called "Noodler's"? The ink with the catfish on the label symbolizes a southern sport that attempts to equalize the struggle between man and animal in the quest for a sense of fair play... and thus a fair price.

This bit of corporate PR jibes with their product: the glass bottles are industry standard (therefore cheap) and full to the brim with their high-quality ink, underselling their competitors by a ridiculous margin. They also "refuse" to make profit-heavy ink cartridges because of the ridiculously wasteful aspect of those devices.

Of course, they've gained something in return: my brand allegiance. Next time I need some ink, you can bet I'll be buying from them. In fact, it was such a good value for me that I probably won't even comparison shop. (Bonus: I'm sharing this on my blog, so maybe you'll buy ink there, too!)

Anyway, there's considerable discord as to exactly what "playing fair" means in a free market. (I'll focus specifically on supplier-consumer interaction, instead of competitive relationships among suppliers.) Examples:

• Is it "fair play" to cultivate brand allegiance? It warps the free market somewhat and can be said to remove agency from consumers. (Then again, the company paid a fair price for that brand allegiance—right?)

• Is it "fair play" to market to our baser needs? Several campaigns (arguably all modern ad blitzes) attempt to bypass consumers' rational minds and access the subconscious directly. This is especially apparent with, say, spray-on deodorant positioning itself to young men as the fast track to sex. Rational economic theory certainly doesn't account for this very well.

I hypothesize that the economic surplus of our consumer-culture market is heavily producer-skewed: Most consumers don't have the time, expertise, or inclination to fully assess the transactions they make (certainly not all the time). However, corporations, since they focus on a subset of products, spend the time and effort necessary to maximize the producer surplus (often via marketing strategies to inflate perceived value on the part of consumers, and via vertical differentiation and other forms of price discrimination). Therefore, most of the economic surplus in the consumer economy ends up in the hands of producers.

Whether corporations are "playing fair" or not, I think they're winning.

Optimistic note: Savvy consumers can negate this by learning to better estimate the value of a transaction to them, and by opting out of advertising where possible. In some situations, it's viable to leave the primary market entirely: Craigslist and other secondary markets are less heavily skewed in this manner.

Corporate amorality

It's easy to anthropomorphize corporations, and if I met someone who acted like a corporation ("life goal: maximize profits"), they sure would seem greedy! (That goes for *any* corp., not just the successful ones.)

The amoral nature of corporations comes largely from the fact that publicly-traded companies are owned by investors that are removed from the day-to-day tactics of the business; "the shareholders" want higher profits, and if management has to do something unethical to get there, well, the shareholders wanted it.

As a shareholder (there, I said it), I want the companies in which I'm invested to perform well (and pay me the money!). As a citizen, I want the companies in my economy to play fairly with their employees and with the environment.

This amorality is an interesting facet of the corporate world, and makes a good argument for not granting them the legal status of "persons", even though they're conglomerations of actual people. Also germane is the subject of government regulation to enforce ethics on these otherwise amoral creatures.

Amoral corporations interact suboptimally with the moral world, and people (moral creatures) wind up feeling the pain.

(re: @Peter)

"Inky, binky, bottle of ink..."

I like writing by hand sometimes. Yes, a good keyboard is still about the fastest way for me to write, but sometimes a good pen in hand is just what the doctor ordered. Six months ago, I decided to try something a little different in my writing toolbox: a fountain pen.

I believe in starting small when pursuing a new interest, so I worked to find the cheapest way into the fountain pen world. I settled on Pilot's Varsity pens (amazon), finding a three-pack at my local Staples for seven dollars.

Well, it turned out to be a lot of fun; I like the smooth feel of the writing and the fun of having an old-school fountain pen. But going on buying disposable fountain pens to feed the addiction? I'm not so keen on that idea. And my new fountain pens were running out of ink fast!

So I started looking at buying a more permanent fountain pen. But then I found something that made my (web-browsing) ears perk up: some folks had successfully refilled the "disposable" Varsity with new ink.

I bought a 3-ounce bottle of Noodler's black ink (amazon) and tried it out. It worked! And with the new ink, my writing was smoother than before!

So that's a win. But the money side of things is pretty sweet, too: Each refill of the pen takes about 2 cc's of ink. In my $12, 3 oz bottle of ink, there are 88 cc's, giving a price per refill of 44 cents! (Far cheaper than the $2/pen price of new ones.) Refilling takes only two minutes, including setup and teardown time, and I've refilled only once in the six months I've had the pen.

Plus, having a bottle of ink hanging around is pretty awesome.

Another example of how it makes good financial sense to "go reusable", even if the product is touted as disposable.

On what's worthwhile

I read a few blogs on personal finance. And I've read more than a few books on the matter. It seems to me that there are two schools of thought in the area: the "maximize net worth" group and the "maximize happiness" group. (To be fair, I think both groups are trying to maximize happiness, but these are the terms that came to mind.)

The great thing about the "maximize net worth group" is that it has one clear objective: maximize net worth! It's really easy (with a few assumptions) to figure out how to make your net worth grow more, and so things are really pretty clear. Writers subscribing to this view have such headlines/chapter titles as "Why not to pre-pay your mortgage" (because projected returns of stocks are greater than mortgage interest rates) and "The order in which to pay back your debts" (start with the highest interest rates first). Also, this group tends to be in agreement with itself.

The second group, the "maximize happiness" folks, take all sorts of paths. Some folks espouse borrowing a little while young, on the grounds that you'll have higher income later and having fun in your youth is priceless. Others argue for living lean and retiring early later in life. This group disagrees on such factors as when you're maximizing happiness (now or later?) and how to measure it (net worth? free time?). The "maximize happiness" group is closer along the lines of the way I think most people actually approach their lives, but due to its personal nature, it suffers from a lack of unity and a lack of universality.

I think both these groups have fuzzy definitions and even fuzzier membership lines; I myself tend to a "do what works for you, but run the numbers" school of thought.

Bonus: links!

Group 1 examples: Ramit Sethi, Consumerism Commentary

Group 2 examples: Get Rich Slowly, The Simple Dollar

Banned Books

As part of its 2011 Banned Books Week, the American Library Association has posted their list of the Top ten most frequently challenged books of 2010. Interesting reading! (The list, not the books; I haven't read them all.)

Censorship, especially for kids, is a pretty complex issue; it seems from the ALA's information that a lot of the challenges occurred in schools, which I can understand (especially in mandatory English curricula). Parents face tough calls on how to best raise their kids, and I plan on talking with my kids' English teachers about their choices in reading lists. Nevertheless, here are my thoughts on the books that I've read:

First, at #3, Aldous Huxley's Brave New World: Hasn't that book moved to "classic" status already? Also, I sincerely believe that this book is one of the great predictors of the problems of today's society (see Neil Postman's mind-warping Amusing Ourselves to Death). This one should be a fixture at libraries and has been around since 1931; are we really still fighting it?

Second, at #8, Barbara Ehrenreich's Nickled and Dimed; this one is a prime example of "stunt journalism", wherein the author leaves her cushy writing job and takes three different minimum-wage-type jobs around the country, writing up her experiences along the way. I read this book not two months ago, and it was particularly good at showing how just being poor can make life more expensive. (Example: not having cash for an apartment deposit and having to live in a hotel room paid by the week.) Ehrenreich does victimize the poor a little too much for my taste, and her proposed policy changes are a little half-baked, but I think the perspective is a valuable one that many insulated middle-class folks (especially insulated middle-class Christians) would do well to seek out.

I'm glad to see, however, that Fahrenheit 451 isn't on the list; the irony would be too great.

(Honorable mention to The Hunger Games and Twilight; though I haven't read more than snippets of either, I confess I would think twice about giving them to my kids.)

BYU choral auditions coming soon!

I just saw this YouTube video about BYU's choral auditions, which start 25 Aug. If you are interested, check out the video, especially the last half that shows Sister Hall conducting auditions; that is EXACTLY what they're like! I got all nervous again just watching... :) Also, feel free to pass it along to any interested BYU friends.

In addition to the endorsements in the video, here's my BYU Choirs testimony: It is a singular experience to hold your head high, gratefully accept applause from the audience. and know, deep down, that after pouring your soul into that night, you've given them a world-class performance that is completely worthy of their gratitude and appreciation.

Pass the word along!